Showing posts with label Brian Eno. Show all posts
Showing posts with label Brian Eno. Show all posts

Wednesday, August 20, 2008

Usain Bolt hits Beijing hard, Eno/Byrne return


earbender.com has received an unprecedented number of hits over the past few weeks due to the tremendous achievements by Jamaican runners at Beijing combined with the fact that I have written about them a few times.

I am very proud to be a fan of the Jamaican track team! As I said to a friend of mine, "who won the most medals, per capita?" My guess is Jamaica! Congratulations on the achievements of Usain Bolt, Asafa Powell, Shelly-Ann Fraser, Sherone Simpson, Kerron Stewart, Veronica Campbell-Brown, Shareefa Lloyd, Rosemarie White, Shericka Williams, Nesta Carter, and Melanie Walker (not the one from KCMP).

Here are a few nice links to check out:

The Bangladesh Daily Star thinks Usain Bolt is the hero of the Olympics, not Michael Phelps, and I agree.

Shelly-Ann Fraser credits "Reggae Power" for the team's success.

Daddy Bolt home - Usain Bolt's father talks about Usain's diet as a child ("A quart of cow's milk every morning."

Usain credits "hard work, fast track" for three records

Faster than Fast - Sports Illustrated's profile of Usain Bolt, Shelly-Ann Fraser, Sherone Simpson and Kerron Stewart.

Why Jamaica Rules at Track - Reason no. 6 - "because Usain Bolt was born there."

Prime Minister Bruce Golding appealed to the country to improve itself in response to its burst of attention, saying "Let us use this moment, this unprecedented display of world-class excellence, this moment of triumph and glory, to unite as a people."

"World's Fastest Country? It's Jamaica, Mon" -- according to the coach, this is the beginning of a dynasty.


*******

Eno and Byrne made the album above available for streaming so I am pleased to help spread the music around. They are a couple of my favorite artists, although I haven't been an active Byrne fan since True Stories and the cover of Time. Little Creatures was a nice comeback to the original four-piece lineup after being in the Fela knock off business, but True Stories and its associated hype turned me off.

Additionally, I played "Psycho Killer" on guitar when I saw David Byrne at Guitar Center once and he ignored it. I should've played "Pulled Up" maybe.



And finally, and I do mean finally, Pervis Jackson RIP: he was the deep voice in the Spinners, who I just saw at the Philly Soul show in Atlantic City. He sang the line "12:45" in "Games People Play." The Juke Joint Soul site had a sweet tribute.

Friday, March 28, 2008

Daniel Lanois Movie "This is What Is" LA Premiere

So many thoughts came to mind while watching the deep, sensitive and slow musical performances in the new Daniel Lanois movie which I saw last night at its L.A. Premiere at the respected art house the Vista Theatre. It has been 25 years that I have been listening to his music, and he is still one of my favorites for many reasons that did not appear in the long documentary of his working life!

Brady Blades, Sr. joined the band for a song:




First, the music. The event opened with Lanois and his bandmate Brian Blades on guitar and drums, with Daryl Johnson and another dude I can't remember on vocals and keyboards. They opened with the great song "The Messenger" and played a few others including a great jamming version of "The Maker." I smiled during that song thinking of Willie Nelson and Jerry Garcia's versions and how the song has had a good run with a certain part of the public. As Lanois said in the film, their versions are validation.

At the end of the mini-set, Billy Bob Thornton came out and joined Lanois for an unbelievable rendition of the monologue from Sling Blade, with Lanois accompanying him on some of his most subtle, dynamic, simple, rhythmic, loose, amazing guitar playing. To see a movie star perform like that with live music is rare and it was awesome. Reminded me that I worked that great soundtrack and set up the first in-store at Hear Music in Santa Monica. You could argue the whole thing, tied in with a KCRW appearance helped launch the store in L.A. and gave all involved, which didn't include Starbuck's at the time, a sense of the possibilities.

Please see below for my Daniel Lanois' greatest hits list!

And he seems to need it even with all the success. Why else make a movie that shows a lot of jamming on unknown compositions and very little about his actual process, the talent that went into making him successful. It can be seen indirectly for the most part -- his guitar playing is clearly a big part of U2's sound, just based on listening to him. We see him and U2 jamming for like a minute in the movie. It was shocking how little his three biggest acts -- U2, Gabriel and Dylan -- were in the movie. He must be pissed at Peter Gabriel, the dude was barely mentioned and his So was the album that broke Lanois as a producer (without Eno).

Eno is the whole movie, of course. His bathroom interview with Lanois, apparently while on the bowl, is fascinating and inspiring. He says it's important to show that great works and results come from the smallest, nothing ideas and that it would give people confidence to know that they have that ability too, that there is no magic or secret to what they do. Eno points out that he has always gone out of his way to show his process. Lanois gives a glimpse of a childhood newspaper clipping about him playing guitar for 53 hours straight -- the only reference to the long hours of trial and error with the studio and his instrument to get where he is today.

Two moments where he was being a genius producer: conducting the band behind Aaron Neville as he sang "With God on Our Side" and singing the melody by heart from one of the collaborations with Eno and Harold Budd by heart as they played the actual recording. He has an amazing ear, a great sense of melody, etc.

Lanois quotes Dylan as telling him "you can't buy feel." But if you have some major dough and a decent band, you can rent it out from Daniel Lanois!

Some of my favorite Lanois albums, and I've been listening for 25 years now include:

On Land - first appearance on an Eno album

Apollo - Atmospheres and Soundtracks

The Pearl - Second album w/Eno gets him shared billing (Eno/Lanois with Harold Budd)

U2's breakthrough The Unforgettable Fire

Canadian pre-fame: The Parachute Club, Martha and the Muffins

Peter Gabriel So - one of the best albums by one of the best artists ever

Bob Dylan Oh Mercy - the comeback by one of the best artists ever

Neville Brothers - best, most representative recording (not "Don't Know Much") under their own name. (Try Wild Tchopitoulas for great results)

U2 - All That You Can't Leave Behind - again, the comeback is the hardest thing in showbiz and they came back all the way with this one.

Willie Nelson - Teatro - First Willie album I promoted and a great album too.

and Willie always gets the last word!